MoPToP Practice Theory part 5 – Performative Practice

This is the final article in my series on holistic musical practice, set out in the framework I like to call MoPToP. We looked at mental practice, the in depth process of thinking about the type of musician you want to be, where you are at present, what you need to do next and how […]

MoPToP Practice Theory part 4: Technical Practice

Now we get to what most people think of when they think of practice, also the part you’re most likely to associate with unpleasant and uncreative chores. But this is where you assemble the toolkit that will enable you to realise your ideas – if you do it right, it will open up avenues of […]

MoPToP Practice Theory part 3: Physical Practice

Continuing the series of articles on holistic practice habits for musicians, last time we looked at mental practice – figuring out the kind of musician you want to be and what you need to do about it and organising your creative ambitions ready to take into the rehearsal room or studio. Maybe you’re chomping at […]

MoPToP Practice Theory part 2: Mental Practice

Part two in a series of articles on personal musical practice, last time I gave an overview of my MoPToP framework describing what I see as the four main aspects of developing as a musician: Mental, Physical, Technical and Performative. Now it’s time to look at these in more detail, starting with: M – Mental […]

MoPToP Practice Theory part 1: Overview

How often do you practice at your instrument? This is a dreaded question among musicians at all levels, conjuring as it does visions of stern authority figures standing over sweating adolescents while they struggle with scales, arpeggios and formal studies written decades ago by “good” composers. For those about to rock, nothing could be further […]